team research project—on a sound artist (20% ~ to be presented april 22). the assignment asks students to work in pairs or alone to conduct research on an artist who experiments with sound(s). this artist could be a popular artist or composer, an avant-garde experimental musician/sound artist. in any case, students should be concerned with the artistic form and ‘genre’ within which the artist works (e.g. theatre: dinner or experimental theatre; visual art: audio-visual installation; popular music: electronic or new age) and the manner of the artist’s innovation. research efforts should be concerned with describing artistic intentions and processes, analyzing and interpreting key stylistic characteristics. research tasks should be evenly distributed. each team member should demonstrate that they have gleaned a basic knowledge of the subject of their team’s research and then take responsibility for presenting a specific aspect of the research (i.e. intentions, processes, style, production context) on the artist. unless directly relevant to the sound experimentation, keep biographical information to a minimum. each student must augment his or her verbal presentation with a sound clip of no more than five minutes in length. each individual presentation should be between 5 and 10 minutes long. finally, each team member must hand in a short, point-form summary on the subject of their presentation, along with a bibliography citing the reference material used, due the day of the presentation (5%) april 23
sound archive—using recording medium of choice (answering machine, voice-mail, cell, Internet download) students are asked to collect sounds that placed together communicate a coherent theme, idea or value—be it personal, aesthetic, or political. the collection can include voice elements and musical phrases but not complete clips from traditional musical sources. as with the panoramic picture project, students should consider the organization of the sound elements and their formal characteristics—consider amplitude, direction, timbre, pitch, duration.(20%) students are required to write a formal statement describing the theme, and formal considerations of the sound project (250 words each, typed and double-spaced) (10%). Due date May 6
Thursday, April 10, 2008
Tuesday, March 25, 2008
tuesday, april 1 ~ class 10 (revised)
my apologies for missing class this week although i'm sure you were well entertained and properly illuminated by mitch's presentation on sound art.
i'll look forward to your reports next week.
i'll also look forward to seeing and hearing your presentations on the panoramic works.
please be prepared to present and discuss these works. for those of you who are not finished yet, please see me or contact me about accessing the lab.
Wednesday, March 19, 2008
tuesday, march 25 ~ class 9 'sound + silence: an introduction to sound art'
(our) mitch akiyama and intr-version
Ubu Sound Sources
John Cage: An Autobiographical Statement
Golan Levin ~ Telesymphony @ Fondation Daniel Langlois
Silophone
Silophone on youtube
John Oswald
Mike Vargas
clips
Janet Cardiff + Georges Bures Miller
Steve Reich
different trains
Marion van der Zon
Andra McCartney
Hildegard Westerkamp
Christof Migone ~ clips
Monday, January 21, 2008
Subscribe to:
Posts (Atom)